the greek gold collection.

For my second jewellery collection, I went more literal in terms of theme, and less literal in terms of design.

I looked to the master jewellers of the ancient Greek world for inspiration, and decided to see if I could turn their stunning examples of goldsmithing into something modern and fresh and very Plato’s Fire.

3 books about ancient greek jewellery

I began, as always, with a pile of books.

Greek Gold by Williams & Ogden, published to accompany an exhibition at the British Museum in 1994 (which I desperately wish I could travel back in time to see in person!) became my bible for this collection. It’s filled with full-colour photographs of page after page of the most stunning examples of ancient Greek jewellery - including the all-important close-ups!

I spent hours flicking through these books and sketching out some of my favourite design elements - a bead here, some wirework there, the odd link or chain or clasp or charm - and then moved to museum websites to hunt down these examples and more.

I played around with lots of shapes and designs, cutting them out on paper and holding them up in front of a mirror to see what they might look like.

And I ended up with three main motifs: the teardrop, taken from a seed-shaped necklace charm; the disc, taken from various earring stud designs; and the crescent moon, which began life as an interpretation of the classic boat-shaped earring and transformed into something new when I was assembling the collection samples!

jewellery making process: laser-cut acrylic pieces glued + clipped together + laid out on a board

The sampling process was pretty arduous with this collection. I ended up changing colours and types of acrylic entirely, I messed up my design files more than once, and gave myself countless headaches trying to figure out the cut-out elements on the large teardrop and disc pieces.

But I persevered, and got there in the end!

selection of jewellery from plato's fire's greek gold collection, displayed alongside digital sketches and ancient jewellery textbook

I’m super proud of this collection. It’s less overtly ‘classics’ than my debut Greek Vase collection, but I think that makes it more versatile.

I love the colours: gold, for gold (obviously!); emerald green and royal blue for the traces of green and blue enamel that can still be found on some pieces of ancient jewellery. I love the shine. And I cannot wait for summer to properly arrive because I think these will look STUNNING shimmering in the sunshine!

Shop the full Greek Gold collection here.

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the minoan marine collection.

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what is gold filled jewellery?